Sinfonia Concertante (2022)

The organ, when playing the role of solo instrument with orchestra, is a unique instrument in several regards. The dynamic range and tessitura of the organ can match or even exceed those of the full orchestra. The organ can theoretically sustain indefinitely. Similar to the orchestra, the organ is capable of creating a distinct universe of sounds.

Given the organ’s capabilities, I knew when I began composing this piece that I was more interested in exploring how the vast sound universes of the organ and orchestra can interact, as opposed to simply showcasing the organ and having the orchestra merely provide accompaniment.

In this piece, I created three “scenarios” to explore. In the first scenario (Part I), the organ and orchestra acquaint themselves with each other, but largely occupy separate worlds. In the second scenario (Part II), the organ and orchestra are in conflict, although the music at times hints at playful cooperation. In the third scenario (Part III), the organ and orchestra come together, becoming a single, massive instrument.